Quite a bit has modified within the 10-plus years since “In Treatment” ended its three-season Emmy-winning run on HBO.
But has it? Back then, psychotherapist Dr. Paul Weston (Gabriel Byrne) handled a cross-section of angsty sufferers whereas concurrently coping with his personal private points.
Now, 10-plus-years later, “In Treatment” returns for a fourth season on HBO Max (Sundays at 9 p.m.) with psychotherapist Dr. Brooke Taylor (Uzo Aduba) treating Eladio (Anthony Ramos), Colin (John Benjamin Hickey) and Laila (Quintessa Swindell). Their pandemic-era remedy periods are carried out over Zoom or in Brooke’s LA dwelling, the one tangible structural change to the sequence (and streaming TV didn’t exist the primary time round, so there’s that).
This 24-episode season we delve into Eladio, Colin and Laila’s emotional baggage — and, as within the unique sequence vis a vis Paul — there are episodes devoted solely to Brooke’s non-public life as she offers together with her private points, together with alcoholism, her on-again/off-again enabler boyfriend, Adam (Joel Kinnaman) and her avoidance of Paul’s “making sure you’re OK” e-mails and voicemails.
The problem for a half-hour sequence like “In Treatment” is to seize your consideration from the get-go since, with a couple of exceptions (co-star Liza Colon-Zaya as Brooke’s straight-shooting AA sponsor, Rita), it’s all-about Brooke and her three sufferers — and a lot of the “action,” per se, entails face-to-face (or face-to-computer display screen) dialogue and never a lot when it comes to scene modifications, digicam angles, and many others. If carried out correctly, that may be as riveting as full-blown motion sequences, and “In Treatment” pulls it off. There’s solely the occasional lag, however the performances are robust and the half-hour periods fly by.
It all begins with stable writing, and with Aduba because the sequence’ anchor. When Brooke is sporting her therapist’s hat, you possibly can see why she’s so profitable (and costs steep charges): she’s empathetic and humorous, with a non-confrontational method and a pointy humorousness that softens these sometimes awkward therapist-patient moments. She’s fairly totally different in her off-hours, haunted by the latest dying of her acclaimed-architect father (many unresolved points there) and nonetheless grappling, emotionally, with the vestiges of life-altering choices she made as a youthful girl. And then there’s Adam and Rita, Brooke’s sounding board and, ostensibly, her personal non-public therapist in Paul’s absence.
Eladio (Ramos) lives with a rich LA household (with out insurance coverage advantages), caring for his or her handicapped older son, who’s the identical age and to whom Eladio is unabashedly devoted. He is aware of he’s good at his job however he’s bought nagging doubts and low shallowness; his insomnia, and his incapacity to focus, is a priority. In his (distant) periods with Brooke, he finds each a fellow literary fanatic and a mom determine. Boundaries are examined on each side of their pc screens.
Colin (Hickey, who shines), is a former tech titan, who “moved some decimal points around,” served 4 years in jail and has simply been launched because of COVID. His court-mandated remedy periods will decide his persevering with freedom, and Brooke begins chipping away at his confident facade masking the deep remorse and emotional trauma that set off his scary rages.
Eighteen-year-old Laila (Swindell) is compelled into remedy by her dominating, overprotective grandmother, Rhonda (Charlayne Woodard), who can’t perceive why she’s homosexual. Laila, satisfied she’s a “sex addict,” talks overtly about her relationship together with her 14-year-old girlfriend — however there are different points at play, together with her wealthy, workaholic/absentee father, who buys her love with costly automobiles.
Whichever aspect of the remedy coin you’re on — believer or dismisser — it’s price your whereas to drop into one in all Dr. Taylor’s “In Treatment” periods. You could be taught one thing about your self.